Few things are more satisfying in a story than a well-executed plot twist. The kind that makes readers gasp, flip back a few pages, or text their friends in all caps. A great twist doesn’t just shock. When done CORRECTLY it deepens the story, redefines characters, or forces the audience to see events in a new light. But how do you craft a twist that doesn’t feel forced, cheap, or predictable?
The key to a successful plot twist is planting subtle clues throughout your story while keeping the big reveal hidden until just the right moment. Below is a list of plot twists you can use, adapt, or mix into your writing to keep readers on their toes. I will reiterate though that plot twists need to be BUILT into a story. They’re not supposed to be cheap punches to invoke a response from your reader. Pacing is everything. Clues are everything. Hints are everything. The devil is literally in the details! Anyways, enough precursors and disclaimers. I trust you with my list of plot-twists. (I’m assuming you’re a big kid writer who knows exactly what you’re doing! Don’t all writers know exactly what they’re doing ahaha….)
Classic Identity Twists
The protagonist is actually the villain but doesn’t realize it.
A trusted ally was working against the hero all along.
The villain is secretly related to the protagonist.
The protagonist’s memories have been altered or erased.
The main character isn’t who they think they are—a clone, an imposter, or someone else entirely.
Revelations About the Past
A seemingly minor character was the true mastermind behind everything.
A past event didn’t happen the way everyone remembers.
The protagonist was unknowingly responsible for a tragedy.
The villain is actually seeking revenge for something the hero did.
The hero was lied to about their origins or purpose.
Unexpected Alliances & Betrayals
The hero and villain must work together to stop a greater threat.
A sworn enemy turns out to be a long-lost friend.
The mentor figure betrays the protagonist at a crucial moment.
A character thought to be dead is alive—and has switched sides.
The sidekick was the real hero all along.
Reality-Shifting Twists
Everything was a simulation, test, or dream—but the consequences are real.
The story is actually taking place in a different time period or world than initially believed.
The narrator has been unreliable, misleading the audience the whole time.
Magic or supernatural elements exist in what was thought to be a realistic setting.
The protagonist is not the first version of themselves—they’ve been replaced, cloned, or resurrected before.
Unexpected Outcomes
The villain wins, and the hero must find a way to live with it.
The big battle never happens because the conflict was a misunderstanding.
The supposed chosen one is a fraud—or the real chosen one is someone else.
The hero gets what they wanted but realizes it wasn’t what they needed.
The villain was never actually evil—just misunderstood or manipulated.
Final Thoughts
And here is the conclusion where I restate my hypothesis-er, intro I mean. A great plot twist isn’t just about shocking your readers. It should enhance the story, add emotional weight, and feel earned. By layering foreshadowing and character depth, you can craft twists that will surprise without feeling random. Do you have a favorite plot twist from a book or movie? Or have you written one you’re especially proud of? Share it in the comments! I love reading everything everyone has to share.
Creating a compelling character isn’t just about giving them a name and a goal to achieve. It’s also about making them feel real to your reader. And what makes someone feel real? The little things. The devil’s in the details.
The way they tap their fingers when they’re nervous, the fact that they always hum while making coffee, or their unshakable belief that their lucky socks will change their fate. These quirks and habits add layers of depth and relatability, making characters leap off the page and stick in readers’ minds.
If you’re looking to add some personality to your cast, here’s a list of quirks and habits you can use or adapt to fit your story. Whether you’re writing a hero, a villain, or someone caught in between, the right little detail can make all the difference.
Common Quirks & Habits for Your Characters
Nervous Habits
Biting nails or lips
Tapping their foot incessantly
Playing with hair or twisting rings
Cracking knuckles, neck, or back
Tugging at sleeves or clothing
Fidgeting with small objects (coins, pens, paperclips)
Avoiding eye contact when lying
Endearing or Quirky Traits
Always carrying a lucky coin, stone, or charm
Collecting something odd (bottle caps, pressed flowers, old receipts)
Talking to plants or inanimate objects
Inventing their own slang or catchphrases
Always misquoting famous sayings
Assigning personalities to everyday items
Laughing at their own jokes (even the bad ones)
Food & Drink Habits
Always ordering the same thing at a restaurant
Hating foods for strange reasons (e.g., “Bananas feel too smug”)
Stirring their coffee exactly three times before drinking
Eating one thing at a time, never mixing food on their plate
Refusing to drink from a cup with a crack, no matter how small
Preferring drinks at specific temperatures (lukewarm coffee, ice-cold soup)
Daily Rituals & Superstitions
Checking their horoscope religiously
Only walking on certain-colored tiles
Always taking the same route, even if it’s inconvenient
Refusing to use red ink because “it’s bad luck”
Making a wish on every stray eyelash
Never leaving home without their signature accessory
Work & Study Quirks
Always writing in a certain color of ink
Organizing their desk in a very specific way
Talking aloud while working through problems
Writing notes on their hands, even when they have paper
Needing total silence—or total chaos—to focus
Humming or tapping when deep in thought
Broadly, Why Quirks Matter
A well-placed quirk can serve multiple storytelling purposes. It can:
Reinforce personality traits (A meticulous scientist always straightens picture frames)
Hint at backstory (A soldier always sits with their back to a wall)
Create humor (A character refuses to eat food that touches on their plate)
Build relationships (Two characters bond over their shared habit of doodling on receipts)
Quirks make characters feel human and help readers form emotional connections. A perfectly polished, flaw-free character is forgettable. A character who double-checks that they locked the door three times? That’s someone we recognize. We look at the character and see ourselves, friends, and family members.
Final Thoughts
Character quirks are the seasoning that makes a good character great. The right mix of habits, tics, and eccentricities can turn a flat character into a vivid one. Feel free to share your favorite character quirks and ideas in the comments below. I always love reading comments!
Finding My Writing Rhythm: What Time of Day Works Best?
I’ve spent a lot of time (maybe too much!) figuring out the best time of day for me to write. It turns out, it’s a bit of a Goldilocks situation: not too early, not too late, but just right…
Let me explain.
Mornings? Not for me. I admire the people who can spring out of bed, brew a strong cup of coffee, and dive straight into creative flow. But I am not one of those people. Before 7am, my brain feels like it’s running on fumes. I can barely make sense of my to-do list, let alone string together creative sentences. Morning writing is a no-go. I must wait until I am coherent.
Afternoons are appealing… but tricky. There’s something lovely about the afternoon: the day has settled in, you’re warmed up mentally, and it feels like a natural pause point. But if you work a regular job, afternoon writing is basically impossible. Unless you’re on a break or you have an unusual schedule, it’s hard to carve out that time consistently. Afternoons are awesome but ENTIRELY unrealistic.
Nights are magical… but a slippery slope for sure. I will say, writing at night has a certain charm. There’s this quiet energy in the evening hours, when the world slows down and distractions fade. But wow, does time fly. I’ve sat down to write at 9pm, blinked, and suddenly it’s midnight. If I’m not careful, I end up sacrificing sleep in the name of creativity (not ideal for someone who needs to be functional the next day and rather early I might add).
So what works best? Right after work. For me, the sweet spot is around 6pm. I like spending the day letting ideas simmer in the back of my mind while I’m doing other things like going about my job or doing chores. Then, when I get home, I’m ready to go. It’s like my brain has been preheating all day, and by the time I sit down to write, everything’s at the right temperature. I still have enough energy, but the workday is done and I can shift into my creative zone.
Of course, everyone’s rhythm is different. Some people thrive in the early hours, others love the late-night quiet. The trick is to experiment and pay attention to when you feel most creative and not just when you think you should be writing. For me, writing after work feels natural and sustainable, especially with a full-time job. Maybe it will for you, too.
What’s your favorite time of day to write? I’d love to hear!
So, apparently NaNoWriMo is shutting down. Yep. The site. The support. The whole infrastructure that turned November into a word party for writers around the world…it’s closing up shop..
And hey, listen, before we dive in, I have a confession: I never did NaNoWriMo. Not personally.
Never even tried. Every year, I’d watch the clock tick toward November like someone standing outside a marathon, holding a coffee and a donut, cheering with my whole heart but fully unwilling to put on running shoes.
Goodbye, NaNoWriMo: I Never Knew You, But I Loved You Anyway
It’s not that I didn’t want to write a novel in 30 short days. It’s that I… well, I like sleep. And not failing my college classes. And knowing I won’t collapse into a spiral of self-loathing by Day 12 when I realize I’m 15,000 words behind and my main character still doesn’t have a name.
But even from the sidelines, I loved NaNoWriMo. I loved the wild ambition of the whole event! I loved that it made writing feel less like a lonely, tortured pursuit and more like a chaotic group project that anyone could get in on. I loved that it dared people of all sorts, busy people, tired people, discouraged people alike, to show up and write stuff.
NaNoWriMo wasn’t just about writing a novel. It was about making writing a habit that you consistently stick with. Just so you could see what you could do if you actually gave it your all.
So when I heard it was shutting down, I couldn’t help but feel a little sad and taken aback. Not because I’m going to miss my annual November guilt trip (okay, maybe a little), but because it truly felt like the end of an era. NaNoWriMo was one of the few internet relics that survived the Great Attention Span Collapse™ as audiences moved towards short form content as a whole. It got people excited about writing, which is no small feat in a world of TikToks, inboxes with 472 unread emails and a new attention suck right around the corner. I think this legacy dying is what I’m most sad about.
I’m sad to say goodbye to what it used to be.
From what I’ve seen, NaNoWriMo in recent years has been tangled up in some complicated and concerning controversies. I’m not going to pretend I fully understand all of it, but it’s enough to make me step back and say, maybe this shutdown isn’t entirely a bad thing. Maybe the version of NaNoWriMo that existed at the end wasn’t the one I admired all those years ago. Maybe it had run its course.
Either way, it’s coming to a close (justified or not). It is taking a final bow and putting away the word count tracker for good.
To the people who did NaNoWriMo every year, who started and sometimes even finished their 50,000 words: I salute you. To the folks who got halfway through and still learned something about themselves in the process: I see you. And to the dreamers like me, cheering from the sidelines with our untouched WIP’s and a vague hope of “maybe next year”: we mattered too.
But, even though the organization is shutting down, the spirit of NaNoWriMo isn’t going anywhere. The stories will still get written. The writers will still find each other. November will still come, and some wild souls will still decide, “Yep, I’m gonna write a whole dang book this month.”
And maybe one of these years, I’ll finally join in. Maybe. Probably not. But maybe.
NaNoWriMo reminded us that writing doesn’t have to be perfect. It just has to be written. And honestly? I think that’s a legacy worth honoring.
RIP NaNoWriMo. I never joined your chaos, but I’m thankful you existed. 💻💔
I gave TikTok a shot. I really did. I have a WIP poetry book, and frankly, poetry is coming out of my ears at this point. Why not see if TikTok could help me get some eyes on my work? A little poetic clout, perhaps? I have seen so many creators get a nice little audience boost from tik tok but that led me to ask a few questions: First off, how long does this take? Second, how luck based is it? And third, is it something I could even remotely pull off? The only sure-fire way to figure this out for myself was to try. For about 2 weeks. (Ok, ok, it’s not that long of a time frame but I just wanted to give it a quick little go, alright?)
TikTok is an interesting creature when it comes to promoting writing. It moves fast. I soon found out that it moved so fast that most users are like ships passing in the night. They’ll comment something like “Wow, love this!” and then vanish, never to be seen again. Which is nice in the moment, but also? Not super helpful when you’re trying to build a consistent audience.
It seems like the only way to really win at TikTok is to post every single day (consistently for more than two weeks), possibly even multiple times a day, for an extended period of time. And I don’t know about you, but I have a full-time job. I have a life. I have two cats who expect me to provide them with a high standard of living. I cannot be out here churning out viral poetry videos while also making sure I have clean laundry.
Oh, and the algorithm is super punishing if you miss a day or two. When I built what felt like momentum towards the middle of the first week, it was great. My videos were consistently getting around 600-900 views. Then I missed a day and it felt like I was starting on square one all over again.
By the end of the experiment, I ended up with around 49 followers and 1,421 likes. A little disappointing especially given my account had around 40 posts one it. So, I gained like a follower per post I guess? No wonder people have to post a lot to gain traction with that kind of math!
So, for now, my TikTok writing experiment is on pause. But maybe one day, when I have the time (or when my poetry royalties pay my rent—ha!), I’ll give it another go.
Until then, I’ll just be over here, writing poetry and thinking about posting it on TikTok. I hope you’ve found this post insightful and maybe even…helpful? Perhaps I have squelched your curiosity when it comes to sharing your writing on tik tok or at least answered a question or two.
In a world teeming with AI-generated essays, AI-written novels, and even AI poetry (which, let’s be honest, reads like it was composed by a very earnest but deeply uninspired toaster), creatives everywhere are understandably wary. The existential crisis among writers is real.
I, too, have had my moments of wild optimism. AI seemed like such a useful tool! An endless supply of writing prompts? An easy way to get revision advice? Blog post title suggestions so I don’t have to stare at a blank screen in despair? Sign me up!
Oh, how naive I was.
I didn’t fully comprehend the sheer scope of AI misuse. AI-written books clogging up Amazon? Students submitting entire AI-generated essays as their own? As I watched the chaos unfold, I started to wonder: is there a way to use AI ethically as a writer? Or am I a hopeless fraud for even considering it?
After much reflection, I’ve come to this conclusion: AI and computers exist to do the boring stuff. The soul-sucking, time-wasting tasks that drain the joy from creativity. But the actual creating? That’s the part I want to hold onto. Because honestly, why would I want to shortcut the best part of writing? AI writing is often as bland as a bowl of plain oatmeal. No sugar. No nuts.
AI feels less like a foe or friend and more like a really boring intern/writing assistant in my humble opinion.
So, in the interest of making peace with AI (and ensuring it remains a helpful assistant rather than an artistic overlord), I’ve compiled a list of ways writers can use AI ethically and usefully without sacrificing their creative souls.
1. Character Development
Stuck on how your main character would react in a specific scenario? Describe them to AI and ask how they might logically respond. Or, better yet, throw them into a random situation and see what AI suggests and then tweak it until it actually feels like your character. Develop it. Run with it. Think of it as a digital version of those acting exercises where you “become” your character so to speak.
2. Synonyms: Because “Thingamajig” is too vague I guess
We’ve all been there: that word is right there on the tip of your tongue, but your brain has checked out for the day. AI can help you find the perfect synonym without forcing you into a three-hour thesaurus rabbit hole (which somehow always ends with you reading about the etymology of “spork”).
3. World-Building Without the Headache
Need to develop a magic system? A fictional government? A convincing but totally made-up economy? AI won’t write it for you, but it will ask you logical, specific questions that help flesh out your world. Think of it as a world-building coach, but not a ghostwriter.
4. Writing Exercises: When Your Muse is on Vacation
AI is great for generating writing prompts and exercises when you need a little jumpstart. You can take what it gives you and twist it into something uniquely yours. Don’t use it to write the whole thing. Use it to springboard you into your own little writing project.
5. Helping You Tackle That One Problem Paragraph
Ever stare at a paragraph, knowing it’s bad but not quite sure why? AI can help you pinpoint what’s off. Whether it’s tense shifts, awkward phrasing, overuse of adverbs (my personal Achille’s heel). It’s something akin to a second pair of eyes giving your work a quick glance, minus the existential dread of asking another human for feedback. (Though, personally, a real human is needed to fully help you realize the full potential of your work but maybe I’m just stuck in the stone age.)
6. Titling: The Worst Part of Writing (Fight Me)
I am a “working title” kind of person. If left to my own devices, all my drafts would be titled “Ugh, I’ll Fix This Later.” AI helps me generate blog post and chapter title ideas so I can get back to the fun part—actually writing the thing.
Final Thoughts
AI isn’t evil, but it also isn’t a replacement for creativity. It’s a tool. It’s a tool that, when used wisely, can make writing easier without making it soulless. Let’s not let it take over. After all, writing is about creating, not just generating words.
So, I heard all the hype about Obsidian. Yaknow, the digital brain-builder everyone’s (or at least my side of the internet) raving about. Naturally, I was intrigued by the idea of weaving a web of my thoughts into an interconnected masterpiece. But then I saw the price tag. I wasn’t exactly thrilled to part with my money just yet.
So after a little googling I came up with Log Seq. It’s the free alternative that claims to do the same thing. By the same thing I mean build a network of your thoughts like some sort of mind-map wizardry. So, I took it for a spin for a week, all in the name of saving a buck (or several). Here’s how it went.
The Good Stuff
First off, Log Seq is phenomenal. Like, truly fascinating. The ability to link thoughts, ideas, and random musings into this complex web of information is seriously cool. I started from scratch, and by the end of the week, I had an impressive digital mind-map that was organized based off of tags. My main tags were #poetry, #science, #writing, #religion.
The Not-So-Good Stuff
There is only one thing that I really think hurts the log seq experience. Log Seq has no app. And while typing on my laptop is fine when I’m already sitting at it, capturing thoughts throughout the day? Not so much. I don’t know about you, but I have a knack for coming up with my best ideas at the most inconvenient times. Like, standing in line for coffee or pretending to listen during a meeting. Without an app to sync my thoughts, I was left trying to remember everything until I got back to my laptop… which is like trying to carry water in a colander. To well that’s reaaaally far away. An unneccessary metaphor I know. It’s just a funny mental image.
The Verdict
So, would I recommend Log Seq? Definitely. Especially if you’ve got the discipline to sit down and dump your brain at the end of the day. If not, you might be out of luck until they roll out an app. But overall, it’s an incredible tool with a ton of potential. I might just keep using it (at least until my wallet decides Obsidian is worth it).
Oh, and as promised, here’s my brain-web after a week of using Log Seq.
So, what do you think? Have you tried Log Seq or Obsidian? Do you have any other alternatives I should check out? Drop a comment below!
For many young writers, the identity of “writer” takes root early. In grade school or high school, it’s easy to dream big and write even bigger. Stories pour out effortlessly between homework assignments, and the dream of publishing a novel or becoming the next great poet feels within reach. Writing becomes a cornerstone of self-expression, a part of who you are. Then, adulthood arrives like an unexpected plot twist, and suddenly, the words stop flowing.
I like to call this phenomenon The Great Writing Recalibration. It’s not just writer’s block in the traditional sense—the frustration of not finding the right words or ideas. It’s the struggle of figuring out where writing fits into the bigger picture of your life. Is it a fleeting phase? An on-and-off-again hobby? A consistent passion? A side hustle? Or is it the full-time job you’ve always dreamed of?
You’re not a failure, okay? We’re all having a hard time here….
The Great Writing Recalibration often begins when you hit the gauntlet of adulthood—new responsibilities, time constraints, and a world that demands practicality. Suddenly, writing no longer feels effortless or essential. The hours you once spent dreaming up stories might now go to a 9-to-5 job, errands, or simply catching your breath. Writing gets pushed to the back burner, and for some, it’s a bitter pill to swallow.
I know, because I’ve been there. For years, I felt like a writing failure. I had proudly finished the first draft of my novel, only to let it sit and collect dust for three years. I’d talk about how I was “working on it” or how I was “so close to finishing,” but deep down, I didn’t want to work on it. It felt like a chore. Each time I sat down to write, it was as though I was forcing myself to relive a version of me that no longer existed—the high school writer who poured her heart into this draft.
Looking back, I realize part of the problem was that I hadn’t considered the possibility that I simply needed a break from writing or that my old stories didn’t speak to me anymore. I didn’t give myself permission to grow beyond them. I was holding onto an idea of what writing “should” be in my life, instead of asking myself what I actually wanted it to be.
The key realization here is that a lack of time reveals priorities. This is not a bad thing—it’s simply life asking you to reassess what matters most. If you’ve always defined yourself as a “writer” but now find that writing has slipped down your list of priorities, that’s okay. It doesn’t mean you’re less creative or that you’ve “lost” something. It means you’re growing up, figuring out who you are, and redefining what you want.
The tricky part is coming to peace with this recalibration. For many, it feels easier to cling to the idea of being a writer and blame an ongoing “writer’s block” for not producing anything. But if months—or even years—pass without the drive to write, it’s worth asking yourself: What role does writing truly play in my life?
If it’s a hobby you love but don’t feel the need to commit to, that’s perfectly valid. If you still dream of making writing a central part of your career, then finding time to nurture it—even in small ways—is essential. And if it’s something that fades from your life entirely, only to resurface years later, that’s okay too. Writing doesn’t demand permanence; it only asks for honesty.
The truth is, adulthood is full of recalibrations. We struggle to define not only writing’s place in our lives but also our very sense of self. And in that process, the role of writing might shift, expand, or contract. Embracing that change—rather than resisting it—can help you move forward without guilt or regret.
The Great Writing Recalibration isn’t a sign of failure. It’s a chance to reflect on your passions, priorities, and evolving identity. Writing will always be there, waiting for you, in whatever role you choose for it. So take the time to decide, and remember: it’s okay if the words come and go, as long as you’re at peace with what you’ve written into the story of your life.
A Retrospective Look at Writing and Book Trends: From Magic Schools to Feminist Retellings
If you’ve been reading books for, well, any amount of time, then you’ve probably noticed that certain trends in literature pop up like clockwork—sometimes for a few years, sometimes a little longer, but they’re always there. And as much as we try to resist it, we find ourselves falling into the hype. We all know that one trend we swore we wouldn’t get into, and then suddenly we’re 200 pages deep into a series about people who can control fire and water and possibly have a secret underground society. It’s fine, it’s normal.
So, in the spirit of nostalgia and bookish trends that once ruled the shelves, let’s take a trip down memory lane. Here’s a look at some of the most notable writing trends of the past, separated by the years when they were super prevalent. Buckle up, it’s about to get trend-tastic.
2000s: Magic Schools & Faction Fandoms
Ah, the early 2000s. It was a simpler time, before social media ate up all our free time. But books—oh, books were living their best life. If you weren’t reading Harry Potter, were you even reading? Seriously though, J.K. Rowling kicked off the magic school trend, and the world fell in love with Hogwarts, wands, and wizarding wars. It was like we all went to school with Harry, Hermione, and Ron, even if we were just hanging out in our living rooms with a cup of tea. And don’t get me started on the sorting hat. Suddenly, was finding out what house they were (if you weren’t Gryffindor, well, we’ll talk about it later) along with their Patronus, their wand and… well.. you get the idea.
But Hogwarts wasn’t the only magical academy out there. And let’s not forget the “Team Edward vs. Team Jacob” phenomenon that was Twilight. Was it fantasy? Was it supernatural? Was it… a lot of emotional turmoil over the fate of Bella Swan? Whatever it was, it had people choosing sides.
If it’s not clear, The early 2000s were dominated by the rise of books where characters were sorted into distinct factions. Presenting factions based on personality traits became another way for readers to ask themselves, “Which one would I belong to?” and effectively engage the reader. These sorting systems didn’t just reflect different aspects of identity; they also gave readers a sense of belonging in the fictional world.
2010s: The Post-Apocalyptic Dystopia Takeover
Fast forward to the 2010s, and suddenly, we were all obsessed with the end of the world. Everyone was either fighting in a deadly arena or surviving some government-imposed dystopian nightmare. And honestly, who could blame us? The Hunger Games was literally all the rage. We couldn’t get enough of Katniss Everdeen, bow and arrow in hand, fighting for her life (and also fighting for her place in that love triangle that we didn’t need but somehow loved anyway).
But it wasn’t just Katniss—there was Maze Runner, where kids with amnesia were running from giant creepy monsters in a maze. And don’t forget Divergent (yes, it fits both categories. No wonder it was so popular), where people were divided into factions based on their personalities- wait I definitely talked about this already. These books sparked a whole trend of dystopian universes where our protagonists had to rise up against an unjust government, typically after some sort of catastrophic event. We were all about survival, rebellion, and… romance, of course.
Late 2010s: Fairytale Retellings, Because Who Doesn’t Love a Reboot?
Then, just when we thought we couldn’t take any more life-or-death stakes, fairytale retellings came swooping in. It was like, “Why read the same old fairytales when you could read them again—but with a twist?” Enter The Lunar Chronicles, which took Cinderella, Little Red Riding Hood, and others, and threw them into a world of cyborgs, androids, and space missions. It was like the fairytale we kind of knew, but with lasers and intergalactic politics.
But let’s be real, it wasn’t just science fiction authors having fun with fairytales. Writers like Sarah J. Maas and Holly Black started blending folklore and mythology with darker, more adult themes, serving up stories full of magic, romance, and the kind of characters who may or may not have committed some morally questionable acts. I’m not saying we were all suddenly into faeries, but maybe we were all suddenly into faeries.
2020s: Feminist Mythological Retellings—Let’s Give the Women Their Due
Now, we’re in the age of feminist mythological retellings, and I’ve got to say, I’m here for it. Sure, Percy Jackson brought Greek mythology into the mainstream, but now we’re diving deeper into the stories of the women who’ve been left out of the traditional narratives. Think Circe by Madeline Miller, where we finally get to hear the story of the infamous witch from the Odyssey, and she’s not just some villain. She’s complicated, which (hopefully) makes her way more interesting.
And we’re seeing it everywhere, from Ariadne by Jennifer Saint to Lore by Alexandra Bracken, where the women in myth aren’t just being swept aside by the men—they’re fighting back. They’re reclaiming their stories, and it’s pretty epic. These retellings give the female figures of myth the depth and agency they deserve. Though whether or not it’s done effectively is up for debate in the reading community.
Honorable Mentions: Other Trends That Came and Went
Some trends were like that one hit song we all loved for a summer, but by next year, we couldn’t remember the lyrics. A few notable mentions:
Vampires, Werewolves, and Supernatural Romance (2000s-2010s): The Twilight era sparked a frenzy over all things supernatural. Vampires, werewolves, and the eternal, beloved, and ENTIRELY necessary love triangle. It was a phase, okay? But also, apparently not, because love triangles would go on to become prominent plot point in YA media from thence forth.
Grimdark Fantasy (2010s): If you wanted to dive into a world where everything was bleak, brutal, and morally ambiguous, this was your moment. Books like Game of Thrones, Six of Crows and The Broken Empire filled our need for complex, gray-area characters who weren’t afraid to get their hands dirty. It was kind of like if your favorite character was a mix of a hero and someone you shouldn’t trust, but you loved them anyway. And probably hated them too. But in a good way.
YA Thrillers (2010s): After the success of Gone Girl, and The Girl on the Train, the YA thriller market exploded. Suddenly, everyone was reading books about murder, mystery, and figuring out who was really the bad guy—which, let’s be honest, made for some super intense reading sessions. The most recent success in this genre that I can think of is Where the Crawdad’s Sing.
So… What’s Next?
While we can never be sure what trend will take over next, one thing’s for sure: books will always change and evolve. Whether it’s more retellings of ancient myths, something completely new, or perhaps another wave of dystopian chaos (honestly, who can say?), there will always be something to capture our imaginations.
What do you think? Are we due for a new trend? Or are we all just hanging out in the land of retellings and myth for the foreseeable future? Drop a comment! I’d love to hear your thoughts on this very important and pressing matter.
By the Brooke 