The Great Writing Recalibration: Navigating the Role of Writing in Adulthood

For many young writers, the identity of “writer” takes root early. In grade school or high school, it’s easy to dream big and write even bigger. Stories pour out effortlessly between homework assignments, and the dream of publishing a novel or becoming the next great poet feels within reach. Writing becomes a cornerstone of self-expression, a part of who you are. Then, adulthood arrives like an unexpected plot twist, and suddenly, the words stop flowing.

I like to call this phenomenon The Great Writing Recalibration. It’s not just writer’s block in the traditional sense—the frustration of not finding the right words or ideas. It’s the struggle of figuring out where writing fits into the bigger picture of your life. Is it a fleeting phase? An on-and-off-again hobby? A consistent passion? A side hustle? Or is it the full-time job you’ve always dreamed of?

You’re not a failure, okay? We’re all having a hard time here….

The Great Writing Recalibration often begins when you hit the gauntlet of adulthood—new responsibilities, time constraints, and a world that demands practicality. Suddenly, writing no longer feels effortless or essential. The hours you once spent dreaming up stories might now go to a 9-to-5 job, errands, or simply catching your breath. Writing gets pushed to the back burner, and for some, it’s a bitter pill to swallow.

I know, because I’ve been there. For years, I felt like a writing failure. I had proudly finished the first draft of my novel, only to let it sit and collect dust for three years. I’d talk about how I was “working on it” or how I was “so close to finishing,” but deep down, I didn’t want to work on it. It felt like a chore. Each time I sat down to write, it was as though I was forcing myself to relive a version of me that no longer existed—the high school writer who poured her heart into this draft.

Looking back, I realize part of the problem was that I hadn’t considered the possibility that I simply needed a break from writing or that my old stories didn’t speak to me anymore. I didn’t give myself permission to grow beyond them. I was holding onto an idea of what writing “should” be in my life, instead of asking myself what I actually wanted it to be.

The key realization here is that a lack of time reveals priorities. This is not a bad thing—it’s simply life asking you to reassess what matters most. If you’ve always defined yourself as a “writer” but now find that writing has slipped down your list of priorities, that’s okay. It doesn’t mean you’re less creative or that you’ve “lost” something. It means you’re growing up, figuring out who you are, and redefining what you want.

The tricky part is coming to peace with this recalibration. For many, it feels easier to cling to the idea of being a writer and blame an ongoing “writer’s block” for not producing anything. But if months—or even years—pass without the drive to write, it’s worth asking yourself: What role does writing truly play in my life?

If it’s a hobby you love but don’t feel the need to commit to, that’s perfectly valid. If you still dream of making writing a central part of your career, then finding time to nurture it—even in small ways—is essential. And if it’s something that fades from your life entirely, only to resurface years later, that’s okay too. Writing doesn’t demand permanence; it only asks for honesty.

The truth is, adulthood is full of recalibrations. We struggle to define not only writing’s place in our lives but also our very sense of self. And in that process, the role of writing might shift, expand, or contract. Embracing that change—rather than resisting it—can help you move forward without guilt or regret.

The Great Writing Recalibration isn’t a sign of failure. It’s a chance to reflect on your passions, priorities, and evolving identity. Writing will always be there, waiting for you, in whatever role you choose for it. So take the time to decide, and remember: it’s okay if the words come and go, as long as you’re at peace with what you’ve written into the story of your life.

Keep writing, friends! Or don’t! It’s all okay!

How to Write a Good Short Story

Hey friends! Hope you’re doing well this evening. It’s chilly where I’m at and the roads are all iced over so I did college remotely today. It went well and I think I’m starting strong though it’s hard to say since I’ve only been able to attend one full day in person. The classes I’m in this semester are all writing classes since I’ve finished up all the science ones for my biology degree.

One class I’m taking this semester is known as Fiction and short stories. I’m taking this class for my creative writing minor (and for fun!) and because I’ve always struggled a bit with writing short stories. I have this awful habit of rabbit trailing and expanding where it is incredibly unnecessary. You can’t afford to do this in short stories especially. They kind of need to be…yaknow, short. It’s always been a struggle of mine. It’s actually rather intimidating to me to develop so much of a story in such a short amount of time.

This got me sort of thinking about all the elements that go into a strong short story. So, in the spirit of helping me figure out how I can write an effective short story myself, I decided to identify what exactly makes a GOOD short story.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊStart with a Strong Idea˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Begin with a clear and intriguing concept. A short story doesn’t have the luxury of extensive development as previously mentioned, so choose a focused and powerful idea.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊDevelop Memorable Characters˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Even in a short story, your characters should be distinct and memorable. Readers should connect with them or be intrigued by their qualities. Focus on their motivations and how they contribute to the plot.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊEstablish a Strong Setting˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Set the scene effectively. While you may not have room for extensive world-building, provide enough details to immerse readers in the story. Use sensory details to evoke a sense of place.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊCreate a Compelling Opening˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Grab your reader’s attention from the beginning. Open with a strong line, an intriguing situation, or a question that piques curiosity. The opening sets the tone for the entire story.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊMaintain a Clear Plot Structure˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Short stories typically have a simpler structure than novels, but they still require a clear beginning, middle, and end. Develop a plot with a distinct conflict and resolution. Also consider carefully the motivations at play in your tale and how such motivations conflict with each other.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊFocus on a Single Theme or Message˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Short stories are most effective when they have a central theme or message. Identify the core idea you want to convey and weave it into the narrative. Avoid trying to tackle too many themes in a short space. This can make your story seem scattered and unconnected.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊShow, Don’t Tell˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

You’ve heard it a million times but I think it’s always worth reiterating. Don’t trick yourself into believing that you don’t have any time at ALL in a short story to provide clear imagery. Use vivid descriptions and action to show what’s happening rather than telling the reader. Engage the senses and create a visual and emotional experience.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊBuild Tension˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Since you have limited space, build tension efficiently. Create conflict early on and escalate it steadily, leading to a satisfying resolution. Tension keeps readers engaged. Ask yourself “what is pulling my reader forward to finish my piece?”

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊCraft Dialogue Carefully˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Dialogue is a powerful tool in a short story. Make each line count, revealing character traits, advancing the plot, or adding atmosphere. Ensure that it feels natural and serves a purpose. You don’t have time to indulge in empty chatter between characters. Unless, of course, it’s in character (see Treebeard from The Lord of the Rings here. Though that reference may not be super accurate as The Lord of the Rings was hardly a short story.”

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊConsider the Ending˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

A short story’s ending should be impactful. It doesn’t necessarily have to be a twist, but it should leave a lasting impression. Consider the emotional resonance you want to achieve. What do you want to leave your readers with. What do you want them to think about upon your story’s end?

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊEdit Ruthlessly˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Or kill your darlings or whatever. Given the limited space, every word should contribute to the story. During the editing process, be ruthless in cutting unnecessary elements. Ensure that each sentence serves a purpose. If you’re anything like me, this may feel a little painful. I make the mistake of feeling each line is precious to me. Unfortunately, this is not the case and some decisions must be made to further the conciseness of the story.

˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊSeek Feedback˗ˏˋ ★ ˎˊ˗˗ˏˋ ★ ˎˊ

Share your short story with others and gather feedback. Other perspectives can provide valuable insights and help you identify areas that may need improvement.

Remember that brevity is key in a short story. Every element, from characters to plot points, should serve the overall narrative purpose. Experiment with different styles, voices, and themes to discover what works best for your story.

Phew. That was a lot. But I think making a concise list helped me work through what to focus on when writing for my class. Perhaps this list will help you too? Either way, thanks for taking the time to read! Thanks for stopping by!