A Review of Lex AI Writer

I have historically have had a really forgiving view of AI. I think it’s here to stay and that much is true, but as time has gone on, I have gravitated to a more critical view of AI content, specifically AI writing. I think it’s great for brainstorming when you’re on square 1 or perhaps outlining a blogpost (here is where I reveal that it is not uncommon for me to ask chatgpt for help with organizing blog posts, titling, and other such small tasks that allow me to focus on my blog post’s actual content). Heck, I think it’s maybe even good for writing filler text that allows you to move your story forward until you can return and fill it with something better and far more creative. But over the past year, I’ve really seen the quality of writing content being replaced with quantity and this is no doubt due to the rise of AI.

AI garbage books flood KDP and many so-called-writers are making tutorials on how you can shortcut the process of creating a story and avoid *gasp* writing! I think someday I’ll make a post on this in the future about how these pretend writers must not really enjoy the craft if they’re continuing to engineer ways to NOT write but now is not that time. Today, I’m here to talk about a specific AI writing platform known as LEX.

Lex AI Writing Platform: A Powerful Tool with a Hidden Catch

Lex is one of the most intriguing AI writing tools I’ve explored. With a wide array of functions, it offers a startlingly diverse set of tools. I could see Lex catering to writers across various disciplines due to this diversity, whether you’re drafting blog posts, brainstorming story ideas, or simply fighting off writer’s block. However, as with any tool of this caliber, its strengths come with a critical caveat. But we’ll get there shortly. First, an introduction to Lex’s toolbox is in order.

A Brief Overview of Lex’s Tools

One of the few positives I will say is Lex impresses with its thoughtful organization and user-friendly interface. The platform boasts features designed to streamline the writing process. Maybe a little too streamlined, but again, I’m getting ahead of myself. The tools and functions are as follows:

  • Idea Generation: It helps writers overcome blank-page syndrome with prompts and suggestions.
  • Continuity Tools: Lex can pick up where you left off, offering full paragraphs based on the context you provide it.
  • Editing Suggestions: It attempts to analyze tone, grammar, and structure to help refine your writing.
  • Customization: You can tweak Lex’s settings to better fit your style or project goals. Probably the most impressive and useful tool in my opinion.

For writers seeking an all-in-one productivity aid, Lex delivers. It’s particularly helpful for outlining or fleshing out ideas quickly. I could see Lex being a useful tool in brainstorming or drafting stages when used wisely. However, we’re going to move on to my main concern with Lex and most Ai writing assistants as a whole.

RIP Individuality

While Lex offers remarkable utility, my primary concern lies in what tools like this mean for the art of writing itself being the erosion of individual style.

When used sparingly, Lex is a fantastic collaborator. Keyword being “sparingly”. How many people will use it sparingly? The temptation to rely on AI for large swaths of text is undeniable, but in doing so, we risk losing the unique voices that define good writing.

To illustrate this concern, I experimented with Lex by beginning a short story:

My opening line:
“Deep in the recesses of an experimental laboratory, rows of cages can be found.”

Lex’s continuation:
“Within these cages, a colony of felines reside. These are no ordinary cats, however. They are the subjects of a groundbreaking experiment, where scientists seek to unravel the mysteries of genetic manipulation. With each passing day, the cats undergo a series of tests and procedures, their DNA meticulously analyzed and altered. The researchers are driven by a singular goal: to create a new breed of cat, one that possesses enhanced abilities and traits beyond the scope of their natural counterparts.”

On the surface, this continuation isn’t bad—it’s clear, grammatically sound, and flows logically. However, it’s unmistakably AI-generated. The tendency to “tell rather than show” is glaring. Instead of inviting readers into the story through evocative imagery or nuance, Lex provides a clinical summary, flattening the narrative.

This paragraph reads more like a report than an actual story, and, while serviceable, it lacks the depth and personality of human storytelling. Such patterns, if adopted uncritically, could homogenize creative writing, sacrificing artistry for efficiency. I have yet to see any AI writer tackle this concern successfully. Everything a computer spits out tends to sound the same or very similar to each other: bland, uncreative, and report-y. AI tends to be trained on articles and educational resources after all so no surprise there.

Conclusion

Lex is a powerful tool that can be a game-changer for writers, offering diverse features and has a great organization and presentation of said tools. For brainstorming, outlining, and rough drafting, perhaps it’s worth a try. But the ability to write large sections of text quickly can also be its biggest drawback and churn up a lot of concern.

Overall, I think as we incorporate AI into the writing process, we must remain vigilant and oh-so-cautious. Writing is more than putting words on a page despite what school might have taught us. It’s about crafting a voice, an atmosphere, and an experience for readers. Tools like Lex should be wielded with care, enhancing human creativity rather than replacing it. For now, Lex is an impressive companion but ABSOLUTELY not a replacement for the writer’s pen.

Thanks for taking the time read and take care, friends!

Nature, Childhood, and Brood

Childhood. It is something that is near all our hearts. I am sure many of us can recall summers spent outdoors. Bare are feet skimming the soft grass. The scent of freshly cut grass. The distant hum of cicadas. Fireflies blinking and winking at us from the dark. Fresh air that zips past us as we run and play and enjoy nature and childhood freedom.

Nature and childhood is often something that is connected in our minds, whether we realize it or not. It is this connection that Kimiko Hahn taps into in her chapbook titled “Brood”.  She explores this connection through a series of poems giving us a full sense of her childhood and nostalgia.

Hahn is a seasoned poet who is the author of a whopping 10 poetry books. This includes but it not limited to Foreign Bodies (W. W. Norton, 2020), Brain Fever (Norton, 2014), Toxic Flora (Norton, 2010), The Unbearable Heart (Kaya, 1996) which was the winner of the American Book Award, and Earshot (Hanging Loose Press, 1992), winner of the Theodore Roethke Memorial Poetry Prize and an Association of Asian American Studies Literature Award. Science and nature are common themes in her work and this chapbook is no exception when it comes to this.

Hahn grew up in New York and Tokyo. It makes one wonder if these urban backdrops caused her mind to wonder to what little nature there was in her childhood. Her chapbook “Brood” even opens with a little snapshot of a Damselfly caught in a web.

When you spot a damselfly

Caught in a spider’s thread

Blow gently…”

Early on, Hahn draws our attention to the delicate and intricacies of nature. But, these pictures are also contrasted with humanity and the modern. One such poem titled “Folding Fan Advertising Kikkoman Soy Sauce” exemplifies this while also introducing us to a memory and a person who has passed.

My kindergarten handprint in clay! Pearls! But you never belonged to me. I’m not sure I care, odd ephemera in the debris of my father’s home.

She does the same in the following poem titled “Noise”.

The neighbors teething baby wails, a grating cranks shut, a woman calls out, a man shouts back, the sanitation truck pulls to the curb with engine, men, and suction…

Overall, this contrast between nature and the modern creates a well-rounded experience as Hahn delves into feelings of loss, nostalgia, and family. Hahn masterfully weaves these thoughts and ideas together to give us a colorful picture of childhood and her specific upraising. It is just a small peak as the works are often brief, but they are rich with vivid imagery and beautiful scenes that pull us in from the first sentence.

Pssst! Hey! Thanks for reading! This post is a bit different from my usual blog posts but I read this chapbook and did a review on it for school so I wanted to share. I not only got to pick the book but I found it was fun to share my thoughts. If you’re into poetry, definitely check out Kimiko’s work!