Childhood. It is something that is near all our hearts. I am sure many of us can recall summers spent outdoors. Bare are feet skimming the soft grass. The scent of freshly cut grass. The distant hum of cicadas. Fireflies blinking and winking at us from the dark. Fresh air that zips past us as we run and play and enjoy nature and childhood freedom.

Nature and childhood is often something that is connected in our minds, whether we realize it or not. It is this connection that Kimiko Hahn taps into in her chapbook titled “Brood”.  She explores this connection through a series of poems giving us a full sense of her childhood and nostalgia.

Hahn is a seasoned poet who is the author of a whopping 10 poetry books. This includes but it not limited to Foreign Bodies (W. W. Norton, 2020), Brain Fever (Norton, 2014), Toxic Flora (Norton, 2010), The Unbearable Heart (Kaya, 1996) which was the winner of the American Book Award, and Earshot (Hanging Loose Press, 1992), winner of the Theodore Roethke Memorial Poetry Prize and an Association of Asian American Studies Literature Award. Science and nature are common themes in her work and this chapbook is no exception when it comes to this.

Hahn grew up in New York and Tokyo. It makes one wonder if these urban backdrops caused her mind to wonder to what little nature there was in her childhood. Her chapbook “Brood” even opens with a little snapshot of a Damselfly caught in a web.

“When you spot a damselfly

Caught in a spider’s thread

Blow gently…”

Early on, Hahn draws our attention to the delicate and intricacies of nature. But, these pictures are also contrasted with humanity and the modern. One such poem titled “Folding Fan Advertising Kikkoman Soy Sauce” exemplifies this while also introducing us to a memory and a person who has passed.

“My kindergarten handprint in clay! Pearls! But you never belonged to me. I’m not sure I care, odd ephemera in the debris of my father’s home.”

She does the same in the following poem titled “Noise”.

“The neighbors teething baby wails, a grating cranks shut, a woman calls out, a man shouts back, the sanitation truck pulls to the curb with engine, men, and suction…”

Overall, this contrast between nature and the modern creates a well-rounded experience as Hahn delves into feelings of loss, nostalgia, and family. Hahn masterfully weaves these thoughts and ideas together to give us a colorful picture of childhood and her specific upraising. It is just a small peak as the works are often brief, but they are rich with vivid imagery and beautiful scenes that pull us in from the first sentence.

Pssst! Hey! Thanks for reading! This post is a bit different from my usual blog posts but I read this chapbook and did a review on it for school so I wanted to share. I not only got to pick the book but I found it was fun to share my thoughts. If you’re into poetry, definitely check out Kimiko’s work!