The Twitter Experiment: Is It a Good Platform for Writers?

Ah, Twitter. The home of 280-character rants, controversy, and the occasional cat meme that restores your faith in humanity. But amidst the tweets, retweets, and hashtags, is Twitter actually helpful for us writers? I really didn’t know the answer to this question so I struck out to answer it for myself. And so here we are- me writing this post to share with you my findings and observations. Let’s break down the pros, cons, and along with a bit of my own Twitter escapade to see if this bird app deserves a place on your bookmarks bar or app homepage.

The Ups

Networking Like a Pro
Twitter connects you to a world of agents, publishers, and fellow writers that might otherwise be impossible to reach. Think of it as your literary networking cocktail party, where you can rub elbows with people you respect and admire without the actual pressure of elbow-rubbing. You can follow your favorite authors, ask questions, or even have the odd chance of interacting with a big-name editor. If you’re looking to build a network of writing buddies and potential mentors, Twitter definitely has the reach.

Possible Feedback on Your Work
Twitter is also a great testing ground. Have a line you’re unsure of? A tiny snippet you’re kind of proud of but want some feedback on? Post it. Writers love to share and support each other on Twitter, so you can get responses on tiny samples of your writing. Just don’t post too much—you want to avoid giving away too much of a work-in-progress!

A Constant Feed of Inspiration
Thanks to #WritingCommunity and #AmWriting hashtags (tags not limited to twitter alone one should note), Twitter provides a steady stream of advice, tips, prompts, and writing-related memes that will either make you laugh, sigh, or just plain inspire. Whether it’s celebrating a 50k word count or the struggle to write two sentences, Twitter’s got a solidarity vibe that’s comforting. It really feels like you’re not alone in this whole writing thing and that’s neat and definitely earns twitter a few brownie points.

Promo Without the Sales-y Feel
If you’re a self-published writer or have a new book out, Twitter’s a good place for quick, casual promotion. Just don’t overdo it. Twitter works best when you focus on sharing and interacting rather than constantly pitching your own work. (People might get off-put if your profile is 90% self-promo.)

The Downs

So many opinions
Twitter can be an echo chamber where everyone has an opinion (and are not at all shy about sharing it). Writers (ahaha me) can get bogged down by what’s trending and feel like they need to shape their stories or characters to fit popular discussions. So if you’re easily influenced or find it hard to stay true to your style, Twitter can sometimes veer into counterproductive territory. People are VERY vocal on twitter and that can be overwhelming if you’re an overthinking personality like me. Yes, advice is wonderful but I think there is such a thing as advice overconsumption/intake. It would be really easy to hype fixate on the wellspring of advice and opinions that are available on Twitter. One thing I had to remind myself and that I’ll remind you of too is this simple fact: Not all writing tips/advice is meant for you. It is, however, up to you to parse out what is helpful and what is not and that takes energy for sure.

And so here is my advice to you if you choose to embark on your own twitter escapade: follow a few writers that you look up to and wish to emulate and follow them along with a few publishing companies and agents that you are interested in. Then go from there. This will help you from being TOO bogged down by advice and opinions that may or may not apply to you.

Algorithm Struggles and Follow Fatigue (ugh, another algorithm to keep up with??)
Growing your following on Twitter as a writer can be a real pain. The platform seems to favor viral content, and if you’re not constantly tweeting or getting engagement, your posts can sink fast. If you’ve ever tweeted something that was pure genius (in your humble opinion) only to get… crickets… you’re not alone. The algorithm’s quirks mean that building an audience is often slow, which can feel demoralizing if you’re there to share your writing with the world and the world doesn’t seem like it’s ready to listen quite yet. Of course, just like with anything, give it time and be consistent and result will likely follow. I’m going to be honest, that seems to be the most consistent thing among all these social medias I have reviews. Instant results are not really likely. You have to play the game first and you might see success after awhile of constant posting.

The Temptation to Chase Virality

We’ve all heard stories of tweets going viral and driving tons of engagement to people’s work But here’s the unfortunate reality check: it’s rare. Trying to go viral can feel like chasing after a breeze. Not only is it unpredictable, but it can also become an obsession that takes up way too much time. As I stated in the previous paragraph, rather than aiming for that one breakout tweet, Twitter can be better as a slow-and-steady kind of thing. Build relationships, engage, and post content. Rinse. Repeat. Viral success might never come, but if you’re focused on finding a real community, you won’t mind as much. Make sure you goals and focus are realistic and clear when it comes to Twitter (or any social media for that matter).

The Verdict

So here’s where I landed. Twitter, like most social medias, is a mixed bag. I think it serves it’s purpose best as a means to connect with the broader writing community and keep up with what people in your specific genre are looking for. It’s also great for stoking discussion and inviting people to have a discussion with you or even just commiserate. I think that’s where it stops however. Twitter content must be short, snappy, and (mostly) to the point and doesn’t leave room for sharing bigger works though you can definitely use it to tease something.

So, if you’re a social butterfly, writing trend enthusiast (or simply just want to keep up-to-date on the writing market in general), or are a one-liner genius, Twitter might be for you! If you’re a long-form content writer like the beloved Tolkien or have little to no interest in muddling your head with the fleeting trends of our time, don’t worry about it. Not all discussions or engagement is healthy or fruitful for oneself. There’s no shame in that (it’s sort of like reading the news. Sometimes I don’t want to know everything going on!). Personally, I think I’ll leave twitter be for the time being, perhaps picking it up when I ready to engage with the fun (albeit sometimes messy) chaos of the writing world.

And I think that’s a wrap. Thanks for stopping by!

4 thoughts on “The Twitter Experiment: Is It a Good Platform for Writers?

  1. Don’t mind me, frantically taking notes because my Twitter account is currently gathering dust at the back of my computer. 😭 It’s so hard to know what tags to use and which groups to rudely horn in on to get traction. I keep hearing about all the success stories of writers on there, but I suspect they actually know what they’re doing. Thank you for the technical breakdown! Now to go and have my own breakdown, of the mental variety, whilst trying to research marketing techniques.

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    1. I genuinely don’t know how people keep up with certain algorithms these days, it is very overwhelming for sure. The success stories make me very happy for the broad writing community but I genuinely don’t know how people do it. Maybe sometime I’ll do a break down of the best writing hashtags after a bit of testing…

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      1. It doesn’t help that trends shift so quickly that by the time you think you’ve got the right hashtags figured out, interest has moved on and something else is viral now instead. My head spins just reading about it. That would be awesome if you went over hashtags! So long as you don’t sprain anything trying to navigate the chaos of the internet landscape.

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